20 Credits SPRING


Pre-requisites: LIT180


Aims/Description: This module seeks to investigate significant developments in British Theatre since 1968. It will focus on the works of contemporary dramatists and companies, and will examine the historical, political, cultural and aesthetic contexts in which their work was written and performed. It will consider the texts not as literary artifacts but as material which exists primarily for and within performance. In addition to recognising that these texts are intended for performance, the module may also consider such topics as the rise of the female voice, political theatre; the Royal Court and Theatre Workshop, the ending of theatre censorship by the Lord Chamberlain, documentary/verbatim theatre, and the theatre of shock. Playwrights whose work may be considered include Harold Pinter, Howard Brenton, Caryl Churchill, Edward Bond, Howard Barker, David Hare, Timberlake Wertenbaker, Sarah Kane and Mark Ravenhill.

Staff Contact: Lisa Allen
Teaching Methods: Seminars, Independent Study
Assessment: Course work, Group presentation which may involve performance.

Information on the department responsible for this unit (English Literature):

Departmental Home Page
Teaching timetable

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NOTE
The content of our courses is reviewed annually to make sure it's up-to-date and relevant. Individual modules are occasionally updated or withdrawn. This is in response to discoveries through our world-leading research; funding changes; professional accreditation requirements; student or employer feedback; outcomes of reviews; and variations in staff or student numbers. In the event of any change we'll consult and inform students in good time and take reasonable steps to minimise disruption.

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Teaching methods and assessment displayed on this page are indicative for 2021-22. Students will be informed by the academic department of any changes made necessary by the ongoing pandemic.

Western Bank, Sheffield, S10 2TN, UK